‘Up, and with Sir W. Batten to White Hall, where we attended as usual the Duke of York and there was by the folly of Sir W. Batten prevented in obtaining a bargain for Captain Cocke, which would, I think have [been] at this time (during our great want of hempe), both profitable to the King and of good convenience to me; but I matter it not, it being done only by the folly, not any design, of Sir W. Batten’s. Thence to Westminster Hall, and, it being fast day, there was no shops open, but meeting with Doll Lane, did go with her to the Rose taverne, and there drank and played with her a good while. She went away, and I staid a good while after, and was seen going out by one of our neighbours near the office and two of the Hall people that I had no mind to have been seen by, but there was no hurt in it nor can be alledged from it. Therefore I am not solicitous in it, but took coach and called at Faythorne’s, to buy some prints for my wife to draw by this winter, and here did see my Lady Castlemayne’s picture, done by him from Lilly’s, in red chalke and other colours, by which he hath cut it in copper to be printed…’
Samuel Pepys records in his diary a visit to engraver William Faithorne on November 7, 1666. Faithorne is best known for his portrait engravings, which were well known in Scott’s time as can be seen in an entry Scott made to his own journal on October 14, 1826.
‘Saw in Morritt's possession an original miniature of Milton by Cooper--a valuable thing indeed. The pedigree seemed authentic. It was painted for his favourite daughter--had come into possession of some of the Davenants--was then in the Devonshire collection from which it was stolen. Afterwards purchased by Sir Joshua Reynolds, and at his sale by Morritt or his father. The countenance handsome and dignified, with a strong expression of genius, probably the only portrait of Milton taken from the life excepting the drawing from which Faithorne's head is done.’